Production Diary (10-11), for "Richard II"

Find out how designer Stephen Brimson Lewis created the critically acclaimed design for the world of Richard II. 

"What's the best place that an actor can be for each moment?" he asks. He describes how the design for the play came about, starting with the unique opportunity that the Royal Shakespeare Theatre's shape offers to a designer.  Making full use of the depth and height of the space was a priority for the team who have developed the automated set, lighting projections and costumes for the play.

For someone with aspirations to make film and stage plays, these production diaries are a terrific set of lessons.  To hear, in this video, how Lewis conceptualizes dramatic space and position, and how technology must enable drama, is marvelous indeed.

David Tennant talks about his excitement in the lead-up to his first ever live theatre performance to audiences in cinemas across the world. 

Richard II is broadcast to cinemas worldwide from 13 November 2013.

Media and technology clearly extend the reach of an intimate staging, here at Stratford-upon-Avon, to theatres around the world.

RSC Artistic Director Gregory Doran talks about his new season for next summer, in which he directs Henry IV parts 1 & 2. He introduces the other shows and directors from the season: Simon Goodwin (The Two Gentlemen of Verona), Jo Davies (The Roaring Girl), Polly Findlay (Arden of Faversham), Maria Aberg (The White Devil).

I am glad to hear that the Royal Shakespeare Company will stage Henry IV (Part 1) and Henry IV (Part 2), following Richard II chronologically in Shakespeare's tetralogy.  My friend Paul introduced me to The Hollow Crown, which piqued my interest in all four plays and the acting and cinematography of which left me in awe.